I must confess, I expected a lot from this book. With a title like that, I thought, this must be a great book. As it turned out, it really was. There are four stories and I loved them all but one truly stands apart.
Don’t Look Now is about a couple on holiday in Torcello, Italy. What seems like an innocent holiday game of making up stories about strangers begins to be more than that when John and Laura spot two elderly ladies at a nearby table. And when one of them claims to see the couple’s recently deceased child, a girl named Christine, things really get interesting. Told through vivacious dialogue and dropping clues one after the other, the story reaches the end and everything comes full circle, leaving one more mystery behind but providing satisfying closure nevertheless.
The narrator of Not After Midnight is Timothy Grey, a 49 year old bachelor who remembers his fateful trip to Crete and the horrible incident that changed his life. He’s not an unreliable narrator, plagued by bouts of madness concealed into the folds of everyday routine. On the contrary, the accuracy of detail makes him a highly credible story-teller and I couldn’t help but sympathize with him and wishing things had ended on a different note. Timothy seems like the kind of person who’s almost pedantic in his routine. It’s obvious he likes things done a certain way and he highly values his privacy. That is why, when he meets an odd couple – the big, drinking man and his silent wife, he tries to keep his distance. I really liked how the author gave a new spin to a famous snippet of Greek mythology.
A Border-Line Case is about Shelagh, a young woman who tries to find out more about her father’s best friend. The men had had a falling out after Shelagh’s father got married. Her mother can’t stand the man. And following her father’s death in such strange circumstances – he was watching his daughter when it happened – Shelagh decides to employ her talents as an actress to fabricate a story that will allow her to find out the truth. What’s really behind the mysterious, reclusive man living on an island with a few trusted companions? And why does he have a picture of her parents on their wedding day but with himself as the groom? As Shelagh finds herself caught in the mystery, it is Shakespeare who ultimately unlocks the past and reveals the terrifying truth. This is perhaps the most dramatic story in the book and also my favorite.
The Way of the Cross takes place in Jerusalem. A group of people under the supervision of young reverend Babcock visit the holy city. They are quite a mix – the young couple on their honeymoon, an older couple from the high society and their spoiled nephew, a businessman and his wife, and an elderly spinster. It’s obvious from the start that things aren’t as they should be. Reverend Babcock had to take the place of an older and much beloved reverend on this trip, a fact that will have devastating consequences for all in the group. With uncanny precision, the author unveils the insecurities, weaknesses and secrets of all involved. Shocking revelations, betrayal and humiliation follow in rapid succession. Come here all, and have yourselves be stripped to your very soul – this seems to be the motto of the story.
I was fascinated by the stories and only wished there were more in the book. Du Maurier doesn’t waste any time in lengthy descriptions or flowery turns of phrase. Straight to the point using dialogue for the most part, this seems to be the best way to tell the stories. A clever manipulation of clues dropped here and there throughout make them almost seamless. It was not until quite close to the end that I remembered them, and when the ending came it was as unexpected as it was natural. Of course this is how it happened, I told myself, there couldn’t have been a better way. I went back and forth a couple of times, because I had forgotten some of the clues that were vital to the story. Who knew Shelagh’s love for acting and Shakespeare in particular were more than just a literary allusion? Or that a half-god’s legacy would find a new victim in poor Timothy? Or that a strange prophecy of an old blind woman will prove to be so accurate? The characters are exposed, their flaws and hopes and desires revealed. There’s cruelty but also love and vulnerability.
I couldn’t praise this book more. I had no idea such a little gem was hiding in my library. The edition I have is a Romanian translation from 1983 which I discovered one night when sleep was slow to come. If you’re a fan of mystery, I recommend you give this book a try.
My rating: 5/5 stars
Read in February-March, 2016
A few days ago I was ver excited to read about a Romanian Writers Challenge on Bellezza’s blog. The challenge is hosted by Snow Feathers, a Romanian blogger, and lasts until 1 December 2016, so there’s plenty of time if you want to join. Coincidence or not, I found out about this event not long after I finished a Romanian book, Why We Love Women, by Mircea Cartarescu, so this event seemed too good to pass up. As soon as I’m done with Dan Brown and the mysteries of the Vatican (I’m about halfway through “Angels and Demons”) and write a review for Cartarescu’s book, I’ll see what other Romanian writers I can read for this challenge.